The right hand should be
assumed on a comfortable position over the center of the sound hole or near the
right edge. In the play, if the right hand operating far to the left, softer
quality of the sound produced. Playing close to the bridge produces a thinner
sound, the metallic sound. The thumb is extended slightly to the left. The
wrist should be slightly elevated. Vibrating strings created by the action of
the right hand fingers, use a fingernail to some extent, and also by using the
thumb.
The fingers
and the thumb can make two different types of the stroke. The free stroke is
executed by curving the fingers slightly. After the string is touched, the
finger (or thumb) passes by adjacent string in a follow-through motion. The
free stroke is used in playing chords, arpeggios and similar passages.
The rest
stroke is executed by holding the fingers rather straight, which necessitate
moving the whole hand into a slightly different position. After the finger of
thumb has touched the string, it comes to rest on the adjacent string. The
principal use of the rest stroke is in the playing of scales of fragments of
scale, and accented noted in the melody. The manner in which the right hand
fingers are indicated is as follows:
p = thumb (from Spanish “pulgar”)
i = index
finger (1st finger)
m = middle
finger (2nd finger)
a = ring
finger (3rd finger) ( from Spanish “anular”)
In general,
the 1st, 2nd and 3rd fingers are used
principally on the three nylon strings, called the “treble” strings, and the
thumb on the three wound strings, called the “bass” strings. However, there are
frequent exceptions to this.
The following
exercise (on open strings) should be played several times to get understand of
the positioning and action of the right hand.